Tuesday, April 12, 2011



The Politics of Not Voting

This May, less than an estimated sixty percent of eligible Canadian voters will head to the polls to cast their ballots for their members of parliament, still holding on to the belief that modern democracy remains an important and viable system of government. The other remaining forty percent will stay at home, at the office or school, due to disillusionment, generally apathy or willful ignorance. A large portion of these non voters fall into a demographic category commonly known as ‘young adults.’

Coincidentally, this same demographic also makes up the majority of both this magazine’s readership and the fast growing E.D.M. scene across the globe. (Not counting the odd geriatric specimens who still refuse to come to terms with the fact that time forgets no one, no matter what ridiculous accessories or pseudo-eccentric accoutrements they throw in the mix. *see bongo drums). This is all a roundabout way of saying it’s you, yes you, at least statistically speaking. Thanks to non participating assholes like you, with every skipped election, Canada inches closer to becoming the same sort of self imploding mess that’s happening down south. And though your naive high school civics teacher might have convinced you that sparking up on the legislative grounds on April 20th counts as a valid form of political action, rest assured, you’re still half assing it. Whether you want to be or not, your refusal to vote just makes you someone else’s tool; someone who has a vested interest in seeing you distracted, apathetic and blase’ to the real issues affecting Canada. Big things are at stake here, and your lazy ass is shitting the bed, acting like it’s nothing because you’re unable to smell it.

Those who don’t vote as part of a refusal to inform themselves about politics on average have a lower level of education and also tend to come from lower income backgrounds. While this is arguably a symptom of failures in the public education system and thus the government for not providing them with adequate funding and support, it is also the result of the vicious cycle of poverty and the sense of alienation and disempowerment that it entails. Like poverty, political attitudes are inherited. If you’re poor and worrying about where your next meal or rent is going to come from, it’s no wonder you haven’t taken the time to figure out what the various parties really stand for, let alone identify with a candidate who you will likely have little, if anything, in common with. Plus, all the wonderful distractions that modern societies offer their citizens do little to encourage something as tedious as an understanding of basic civics over something as gratuitously satisfying as the latest reality TV abortion.

Disillusionment is a less justifiable condition than living in a state of willful ignorance though it implies at least some consideration of a bigger picture; given the gravity of what is ultimately at stake, it is still a sin in its collective result. Many argue that no existing political party truly represents their interests, or that corruption is so inherent in power that it negates any perceived benefits associated with choosing one side over the other. What these people fail to take into account, is that by opting out they essentially give the controls to the same demographic groups that they resent in the first place, namely the previous generations who either screwed things up, or sat idly by and watched as things got worse. If you have a hard time grasping the urgency of the situation, take a moment to read up on the kind of heinous shit the conservatives have been trying so desperately to push through while you were asleep.


This isn’t to say that Canada is in terrible shape, far from it in fact when you consider the current state of the U.S.; (though that’s arguably like comparing a slightly passive aggressive aunt who leaves sticky notes on the fridge to a self destructive, paranoid schizophrenic in the middle of a grand mal seizure.) Part of what makes Canada’s system inherently better than the United States’ is its parliamentary form of government. Whereas down south voters follow a congressional system that essentially limits the options to two parties (unless you’re dumb enough to think of the Tea Party as differing significantly from the Republicans), as well as encouraging the disporportionately greater influence of private and corporate interests over those of the general public, Canada is home to three major parties as well as three smaller ones. You could argue that the latter parties play insignificant and limited roles as they are often excluded from televised debates, but at the end of the day the difference is hard to discount as insignificant. More importantly, Canada’s system allows for a wide variety of issues to be brought to the table, which again begs the question, why the fuck haven’t you identified with one?

The underlying significance of these statistics is still open for debate. However, it is clear that when it comes to answering the question of whose will the government of Canada actually represents, it is definitely not the voice of all for whom it should be speaking. Poor, stupid, apathetic and cynical is exactly what they want you kids to be, because it plays right into their interests to have you remain unorganized and passive little sheep; the question is, do you? Do you want a perpetual prison state where poverty is criminalized as tax cheats and high level fraudsters run free? Where the prime minister considers himself above the rule of law? Because that’s the end of the rainbow we’re currently on course for. Wake the fuck up Canada, you’re embarrassing me and you’re embarrassing yourself.

Stop being someone else's tool here:

Thursday, April 7, 2011

APRIL 23RD.....really big show!

                                                  Ill Esha and Ashburner Video

GET YOUR TICKETS NOW PEOPLE!

Monday, April 4, 2011

BASS 101

BASS 101 by STREEETS

This will be the first of many (I certainly hope anyway) posts I will be doing on everything from graffiti art to bass music (of all kinds). I would first like to acknowledge my friends at Music First, THANK YOU for helping pull the Winnipeg’s bass music scene out of the stone age. I won’t totally say single handedly but with the help of other crews (Bass Face Ent./Bass Invaders/Dark Vinyl/Dub City Steppers/Mixtechs.CA) 2010 and now 2011 so far, as been STELLER.

Now on to reason I’m here. I’m going to post a lot of mixes but seeing this is my first post i'm going to put up 3 that i've been listening to on repeat over the last little while, I have a freakishly unhealthy obsession with this music spun at 130-140 BPM. I hope you enjoy them as much as I do big ups to all the artists.

I’ll start things off with a mix of all original material from local DJ/Producer Theo Tzu (http://soundcloud.com/theotzu) who opened for Mark Instincts on March 5 2011. Enjoy bass fiends.

The Inaugural Dubplate Session: A Mix By Theo Tzu

1. meditation dub (theo tzu edit) – borgore
2. secret weapon - turtilian & theo tzu
> wobbla - cain & theo tzu

4. resolve - safe crackers

5. baddest of fact feat. four20 - safe crackers

6. the thing - safe crackers

7. sit & rotate - safe crackers

8. nice funky beat - safe crackers

9. cheer up - safe crackers & metro rotonto

10. slammed (theo tzu remaster) - cain & dj brace

11. MNMLDUB (wip) - cain & theo tzu

12. tek city remix - cain

13. proverbs feat. top cat - natural selectors

14. for real - lucky souljahz

15. basin city - badfl0w & theo tzu

16. skylarking - lucky souljahz & metro rotonto

17. reploid vs existence (theo tzu smashup) - excision, datsik, downlink

18. dj distance - the dark crystal (rebel lion vip)

Download @ http://blog.mixtechs.ca/the-inaugural-dubplate-session-a-mix-by-theo-tzu/


This mix covers alot of the deeper side of Dubstep, this comes to us from Belgian duo, Subreachers (http://www.soundcloud.com/subreachers) Lots of big tunes coming from these guys in 2011 keep on the look out for them.



Subreachers: Ice Cast Dec 10

Kiev - Breach [Dub] 
12th Planet - Smokescreen (Jack Sparrow Remix) [Dub]

Killa & Instinct - Indica (Subreachers Remix) [Dub] 

Lurka - Conscious [Dub] 

Goli & Ashburner - Fields of Vibrations (Subreachers Remix) [Dub]

Subreachers - Void [Dub] 
Coki – It [DMZ] 

Subreachers - Left Hand Path [Dub] 
Ben Verse - Venom [Dub]

Requake - Origin Of Species [Dub] 
Core - Suicide [Dub] 

Lurka - Return [Dub] 

Orphan 101 - Propa [Dub] 

JazzyJazzy - Atlantis [Dub] 

J:Kenzo - Against The Grain [Dub] 

Dubwoofa - Night Sun [Dub] 

Cessman - Zion Dreamz [Dub] 

JazzyJazzy - Cold Harbour Lane [Dub] 

Valor - Frank Jaeger [Dub] 

Subreachers - Let Go (J:Kenzo's Digikal Love Refix) [Dub] 

JazzyJazzy - Gimme Ya Wallet [Dub] 

Subreachers - Let Go (Au Valour's Forgive & Forget Remix) [Dub] 

Mr Lager Ft Asher Dust - 4 Leaf Clover (Von D Remix) [Dub] 

June Miller feat. Beer - Aged 23 [Dub]

Download @ http://soundcloud.com/subreachers/ice-cast-mix-dec-10




And for the last mix I’m going to post, is a preview of what we are in store for come MEME 2011(http://www.memetic.ca/http://www.facebook.com/MEMEfest) the first headliner they announced was the almighty Process Rebel(http://soundcloud.com/processrebel). Some real rootstep vibes coming from this guy with LOTS of free bits and some forthcoming material on Winnipeg’s own, Balanced Records(http://www.balanced-records.com).


Process Rebel Interview on Bassculture Foundation Radio

(1) Process Rebel - Skank Division [forthcoming on Balanced Records]
(2) Jam Jarr - Neck Low (Process Rebel Remix) [forthcoming on Subinfinity Recordings]
(3) Process Rebel - Step Specialist (How It Go Version feat Profisee) [Subinfinity Recordings/SUB003]
(4) Wayne Lotek - The Rudest Dude (Process Rebel Remix) [Download this track for Free @ http://soundcloud.com/processrebel/wayne-lotek-the-rudest-dude-process-rebel-remix]
(5) Process Rebel - Dem Outta Here [Subinfinity Recordings/SUB002]

Download @ http://soundcloud.com/processrebel/process-rebel-interview-on-bassculture-foundation-radio

- STREEETS

THE WHATEVER GENERATION by Danny Sauve

THE WHATEVER GENERATION by Danny Sauve

I am so happy to be in the generation in which I currently live. Technology is getting more and more impressive every day, acceptance and freedom are at a cultural high in most places on earth, and more and more people are trying to do things that they enjoy and that make them happy.

Recently, I heard our generation referred to as "The Whatever Generation" and I thought this was an interesting way of trying to explain my age group. In order to understand this label, I guess you have to start with our grandparents living in the good ol' days of the ’30s and ’40s, although I'm sure if you asked your grandparents they'd say it wasn't very good at all. They had amazing pride and work ethic, and worked hard for everything they received. The Great Depression led to the need for those who did have jobs to work even harder for their average annual income of $1,300. The late ’40s also marked the genesis of using technological advances for the primary objective of making everyday life easier and more enjoyable via inventions such as the television and the refrigerator. The emergence of black culture brought with it the first dance in nearly two decades that allowed individual expression: "the Jitterbug".

This lifestyle continued through the Cold War and well into the ’50s. After serving their time in the war, men began starting families. Enter: the Baby Boomers. By the time our parents were around our age, people started separating from the conservative ’50s decade. The ’60s, deemed the “Age of Youth”, had 70 million post-war teenagers who wanted change. New revolutionary ways of thinking and real change in the cultural fabric of life began taking shape, the likes of which are still ongoing. Peace was a large focus. People like Martin Luther King and Malcolm X continued the fight for racial equality, while women like Betty Friedan fought for gender equality. Mainstream religion such as Christianity and Catholicism began its decline; people started accepting other religions such as Buddhism. Enter: The Hippie Movement. The use of mind-altering narcotics grew exponentially (much in part to the discovery of MDMA, LSD, and the emergence of ethnobiologists like Terence and Dennis McKenna), coinciding perfectly with the soaring status of rock music, sexual freedom, and crime. People became more aware of our impact on the earth, while technology also continued its climb to what we know it as today. A lot of the "radical" ideas of the ’60s gained wider acceptance during the ’70s.

Computers began getting popular, the Atari came out, floppy disks and laser printers were invented. The rock music of the ’60s broke off into many different sub genres (soft rock, folk rock, punk rock, etc.). Marley, Tosh, and King Tubby were introducing reggae and Dub to the world just as a new disco craze began to grow. These decades are pivotal to the society and way of life we live in today.

BOOM!

That brings us to now. I remember my dad when I was younger telling me how his only toys when he was my age were a stick and a piece of glass, as I begged him to buy me new Spider-Man toys. I always took this as a joke, and I'm sure it wasn't nearly that bad but it's still something to keep in mind. My parents’ home is now filled almost to the brim with new and old electronic devices they purchased for themselves, or for me. Things my grandparents would have called alien technology such as iPods, CDs, and GPS systems become outdated or broken and discarded somewhere in the dusty basement. Anyone who takes the time to think about it should easily be able to tell that quality of life in most ways is better now than it has ever been, as evolution should be. The concepts and ideals our parents and grandparents began regarding like equality, acceptance, and peace are stronger than ever.

The work ethic, however, seems to be slowly fading away with our growing ease of life. We haven't had to work as hard for receiving much more and eventually we might pay for it. Increasing numbers of people are starting to believe that their future is not in their control, giving us our somewhat "whatever" work ethic and lifestyle. We meet someone who dresses unconventionally. Whatever, they can wear whatever they want. Someone tells you they want to own an emerging maple syrup conglomerate. Whatever, they can be whatever they want. Someone tells you they're gay. Yeah, man that's fine too, do whatever you want. A friend asks what should we do tonight. You say whatever, because the possibilities are almost endless. We truly do live in a generation filled with whatevers. Just the feeling of the word and the way it describes the openness, acceptance, and even in some ways the work ethic of a large part of our population makes it an excellent word--if we must have a word--to describe life today. Of course I'd rather our generation be described as something cooler or more interesting like the “Super Awesome Laser Explosion Generation”. But if we are, in fact, the whatever generation, I'll have no problem proudly explaining to my children.

DANNY SAUVE

DUB ECHOES MOVIE REVIEW

Dub echoes (By Bruno Natal)
4/5
reviewed by Sarah Curry

“DnB King Tubby’s innovation. He experimented with versions: bringing In certain reverbs, started to add echo…
And this became exciting and, thus, dub was born.”

From time to time, there are moments of significant importance that deserve to be documented, spread across the brainscape, and honoured for generations. In Dub Echoes, Bruno Natal (writer/director) does a wonderful job of documenting the story of dub: How it was found amidst the competitive sound systems and scratched labels era of reggae and dance hall, how it brought about a newfound artistry in the mixing board engineer, and how it paved the way for the electronic genre, specifically the DJ.

Without question, dub has been the most prevalent influence in popular music since its humble beginnings in the 1940s. Sneaking onto B-sides and hypnotizing the entire island of Jamaica, dub restored power to the people and acted as the catalyst to the musical liberation of the ’50-’60s.

Riding the increasingly powerful momentum of customized sound systems and massive block parties, dub emerged into the mainstream with “beats so sick, made with real bits o’ panther” to quote El-P, rapper and cardboard artist. With mainstream interest came the evolution of the DJ and the relocation of dub to the UK.

“Bass is brain for listen. Drum for heartbeat. Bass and drum is early human being from the start it make you wanna dance.”
– “Scratch” Lee Perry

Dub Echoes is a necessary watch and re-watch for anyone who considers themselves a music enthusiast. Expertly produced and lovingly edited with ambient dub over the entire documentary, Dub Echoes provides all the knowledge our drum hearts and our bass minds crave.

Interviews with the legends, leaders, and followers of the dub movement, including: Lee “Scratch” Perry, Scientist, Bunny Lee, Kode 9, Adam Freeland, Switch, Basement Jax, Black Alien, and many, many mo

re…

“Once the music hits you, you feel no pain.”
-Bob Marley
Kode 9 recorded a BBC One Essentials Mix 2011-03-12 that demonstrates progressive, dubbby dubstep, and we have a link to its download page on the blog.


SARAH CURRY

Friday, April 1, 2011

Thursday, March 31, 2011

MF + BASS INVADERS PRESENTS :: ILL-ESHA & ASHBURNER :: APRIL 23RD





















This night is going to be epic. Music First and Bass Invaders unite to bring you one of the sickest bass parties of the season. Two full rooms full of amazing talent from the UK, USA, and right here in the Peg!


ILL ESHA (USA)
ASHBURNER (UK)


LOCALS:
RIDDIM b2b TURTILIAN
BILLY ROCKWELL
CODA & MC PUCONA
THE SILVER FOX b2b THEO TZU
ENCODE
DJ SW@T
BLACK FOREST
MC DIVERSE

visuals by mr.ghosty + jaymez


ILL ESHA

For the last decade, ill-esha has been an integral part of the North American electronic scene. Beginning as a vocalist, she soon added MCing and DJing to her repertoire, creating a dynamic and unique live show which has headlined alongside artists such as Andy C, Klute, Dieselboy, Vibesquad, LTJ Bukem, Tipper, T-Power & De La Soul. She has performed across North America, Europe and Asia; in clubs, at festivals, and even on TV shows on MTV Canada and the CBC.

In 2001 her first 12” single was released on New York label Breakbeat Science; since then ill-esha has worked steadily as a vocalist and producer on labels like BluSaphir, Haunted Audio, Woofer Cookers & Muti Music; hitting #1 singles download on Juno and #3 in the Beatport Electronic Charts. Her current album on Daly City, "Circadian Rhythms" currently sits at #3 on the Addictech Monthly Downloads and has been blogged on MTV's website. Coming soon are digital EPs on Haunted Audio and Street Ritual, and 12" releases on European labels Dub Police and Subway. ill-esha is currently writing new tunes and remixing everyone, including your mom, in San Francisco, CA.

www.ill-esha.com
www.myspace.com/illesha
soundcloud.com/ill-esha


ASHBURNER

Ashburner is known for bringing a massive range of styles to the table, from deep, subbed out rollers, to heavyweight smashers that destroy the dancefloor. Notorious for sick grime and hip hop remixes, his work has caught the ear of many big names in the scene. His bootleg remix of Tempa T’s “Next Hype” has had endless play from the likes of Chase & Status, Plastician, Jakes, Skream and FuntCase to name a few, and was recently featured on Ministry of Sound’s “Sound of Dubstep 2” compilation.

His collaborations with label co-owner Goli have been hard to overlook too. Their filthy remix of Renegade Master has been smashing up dancefloors since its 12” release on Chemical Records in 2010. Having played a host of gigs across Europe, US and the UK, their dark take on dubstep is appreciated by heads internationally.

Expect a bass fueled set filled with dubs and relentless energy!

GetDarker set: http://www.getdarker.com/audio/podcast/goli--ashburner-getdarkertv-053/

HedMuk Podcast: http://www.mixcloud.com/HEDMUK/goli-ashburner-hedmuk-exclusive-mix/

www.myspace.com/ashburnerwins
http://soundcloud.com/goliandashburner


$15 advance /$20 door
avail. at Kustom Kulture and Urban Bakery AND off promoters themselves

Nom De Strip May 7th @ The Zoo




NOM DE STRIP (UK)
"Dancey Noisy Stuff"

C.H. BASSLINE "Party Beats" 'ON 3 DECKS....BOOM!'
THE SHAKE "Face Melting Basslines"
BEESKNEES "Funky Bassy Stuff"

VISUALS BY MR.GHOSTY

NOM DE STRIP
Chris Elliott, aka Nom De Strip, is gaining a reputation as one of the freshest artists around. Previously known as half of Stupid Fresh, the collaboration behind the massive Get The Fuck Up and with whom he toured all around the globe, Chris is now enjoying a successful start to his solo Nom De Strip project. With tracks featured regularly on BBC Radio 1 and supported by a DJ roster including Fatboy Slim, David Guetta, Fedde Le Grand, MSTRKRFT, Judge Jules and Laidback Luke, Nom De Strip’s early releases have include high profile remixes for Dizzee Rascal and Dave Spoon.

Now the momentum is increasing, with eagerly awaited EPs over a range of styles scheduled for Southern Fried, MoS Australia, Trouble & Bass (collaboration with Bart B More), Sneakerz, and Surfer Rosa, and remixes for MoS Australia, Fool’s Gold and U&A Recordings. Not only as a producer, but also as a DJ Nom De Strip continues to explore different subgenres of house. So far this year crowds in Australia, Canada, Italy, Portugal and the UK have enjoyed his unique sets, always loaded with Nom De Strip exclusives.

He destroyed it at Shambhala 2010 on the Pagoda Stage!
This show is gonna be REALLY GOOD. Lets get ready for NOM DE STRIP!

tickets will be on sale soon.. at Kustom Kulture and Urban Bakery AND off promoters themselves.
ONLY TEN DOLLARS IN ADVANCE (SUCH A GOOD DEAL)
FIFTEEN @ DOOR

http://www.facebook.com/#!/event.php?eid=179535995422061


NEW TRACK

RESET! & Nom De Strip - I can see boobies from RESET! on Vimeo.



OLDIE BUT GOODIE


Tuesday, March 22, 2011

ILL GATES - Updated Website


www.illgates.com

Check out the updated digital love from one of Canada's best. Ill Gates.
We had the honour of having this man here in Winnipeg this past January.
Check out his music. There is some free music going on over on his site.
Support Canadian Talent!

Wednesday, March 16, 2011

Sunday, March 13, 2011

The Politics of Art

The Politics of Cabaret...

One of the biggest problems associated with modern bureaucracies is their resistance to change, their very structure designed to delay modernization in the interest of careful consideration. Not unlike all the ‘popular’ kids from high school who ended up married and pregnant in their early twenties, provided they even made it that long; government ministries such as the Manitoba Liquor Commission seem to be stuck in a time warp, only instead of involving melodrama and wasted potential, the problem centers around the definition of ‘live entertainment’. Even though the last decade has seen both electronic music and the DJs and producers behind it become increasingly accepted and incorporated by the mainstream music industry, organizations such as the MLCC and even the CRTC still operate with dated regulations that exclude DJs from being considered as live entertainment or Canadian content.

What the hell does the MLCC have to do with determining the meaning of ‘live entertainment’ and why is it relevant? For starters, in order to serve alcohol at a venue, a liquor license is required, of which there are several types. In this case the issue is restricted to a specific kind, namely a Cabaret License; venues like the Academy, Pyramid, and Pure all fall under this category. As per the Liquor Control Act, “A cabaret licensee shall provide live entertainment in accordance with the regulations during each day on which the cabaret is open.” The act the goes on in defining said entertainment as “... a live professional performance...for which at least one performer is remunerated by the licensee...that takes place on a stage visible to all patrons and which constitutes the main focus of the cabaret; and...that is designed to draw the attention of all patrons; but does not include a disc jockey or master of ceremonies.”

How does this affect venue owners and promoters? In order to circumvent this seemingly archaic and outdated rule, most cabaret licensees hire female go-go dancers to get up on stage by the DJ. As even a rookie party goer can observe, this ends up sending a message to other, less coordinated and more inebriated girls that joining them on stage is a good idea. Lots of drunk girls on stage tend to cause skipped records (vinyl that is), pulled plugs and other mishaps associated with the mixing of clumsy, oblivious people and high tech equipment in close proximity, as many a DJ has bitched about.

According to the MLCC’s internal communications coordinator, Susan Harrison, “The original intent of the regulation was to ensure that cabarets introduced a satisfactorily high standard of performance such as a live band; a DJ playing recorded music simply does not meet the requirement. That being said, we do recognize that this is an emerging entertainment area and that there are certainly DJ’s out there who are of a high calibre. If a cabaret operator wants to include a DJ as a performance, they have the option to approach the Licensing Board for approval. The Licensing Board has recently approved DJ’s who are remixing music in a performance setting in the past, but we have not had enough of these requests to warrant exploring a regulation change.”

Why hasn’t something been done about this? Various people have at one time or another researched and attempted to change the rules to reflect the times. One such person is local DJ cum lawyer, Dan Gilson, who says that the real problem in changing the rules lies in properly distinguishing the talent and artistry from the cliche’d and mediocre. “It’s a tough thing to create language in a document to decide that question.” To further complicate things, the prevalence of digital technology used by DJs has made it “...harder to make the case that they are performers if all they are doing is opening a laptop and putting on traktor.” However, if fun-fur clad go-go dancers manage to qualify, the bar of standards is arguably low enough to include even the most microwaved DJ hacks, (here’s looking at you, Sam Ronson and Steve Aoki).

It should be noted that the mandatory show and subsequent DJ exemption does not apply to other types of liquor licenses. In fact, the cabaret license is the only one that requires live entertainment at all. For example, the various Canada Inns bars, invariably similar in their common mediocrity, fall into a different category only because the are attached to hotels and thus avoid the issue entirely. Though it is rumored that one or more members of the Liquor Commission is connected to said chain and or the Manitoba Hotel Association, no evidence confirming those claims was found in the researching of this article. Ultimately, the bulk of the blame lies in the nature of bureaucracy itself and its inherent resistance to change, regardless of how clearly warranted it might be.

Read the whole act at:

http://web2.gov.mb.ca/laws/statutes/ccsm/l160e.php:




Miles McEnery
miles.mcenery@gmail.com

Monday, March 7, 2011

Mark Instinct Winnipeg March 5th



A WIKKID PHOTO OF MARK WITH A LITTLE FLARE ADDED

CHECK THIS OUT

A VIDEO FROM MUSIC FIRSTS ILL GATES SHOW IN JANUARY

MTA AFTERPARTY ANNOUCEMENTS

MUSIC FIRST IS HAPPY TO ANNOUNCE:

Hedway from Vancouver will be head lining the after party, spinning a nice blend of drum and bass and dubstep

Alongside Hedway will be:
HOLLYWOOD HYPE
OFIELD WILLIAMS

we will announce the venue the day of the Mat the Alien show

Tuesday, March 1, 2011

MUSIC FIRST ANNOUNCES

So Music First is pleased to say we will be throwing an official Mat the Alien after party, with yet ANOTHER out of towner which they will be releasing within a week or so... As well as location and ticket prices...

ALSO

they want to announce that one headliner for THIS IS NOT A RAVE, which is happening May 28th

CHRIS B from Calgary will be droppin down some funky house vibes for us all!!

also..... BIG TINGZ FOR POST SUMMER 2011 PEOPLE :)

and finally check the newly renovated Mat the Alien poster....

BASSFACE & MUSIC FIRST present MARK INSTINCT @ THE ACADEMY - Winnipeg Free Press

BASSFACE & MUSIC FIRST present MARK INSTINCT @ THE ACADEMY - Winnipeg Free Press