4 THE LOVE OF THE MUSIC
Tuesday, April 12, 2011
The Politics of Not Voting
This May, less than an estimated sixty percent of eligible Canadian voters will head to the polls to cast their ballots for their members of parliament, still holding on to the belief that modern democracy remains an important and viable system of government. The other remaining forty percent will stay at home, at the office or school, due to disillusionment, generally apathy or willful ignorance. A large portion of these non voters fall into a demographic category commonly known as ‘young adults.’
Coincidentally, this same demographic also makes up the majority of both this magazine’s readership and the fast growing E.D.M. scene across the globe. (Not counting the odd geriatric specimens who still refuse to come to terms with the fact that time forgets no one, no matter what ridiculous accessories or pseudo-eccentric accoutrements they throw in the mix. *see bongo drums). This is all a roundabout way of saying it’s you, yes you, at least statistically speaking. Thanks to non participating assholes like you, with every skipped election, Canada inches closer to becoming the same sort of self imploding mess that’s happening down south. And though your naive high school civics teacher might have convinced you that sparking up on the legislative grounds on April 20th counts as a valid form of political action, rest assured, you’re still half assing it. Whether you want to be or not, your refusal to vote just makes you someone else’s tool; someone who has a vested interest in seeing you distracted, apathetic and blase’ to the real issues affecting Canada. Big things are at stake here, and your lazy ass is shitting the bed, acting like it’s nothing because you’re unable to smell it.
Those who don’t vote as part of a refusal to inform themselves about politics on average have a lower level of education and also tend to come from lower income backgrounds. While this is arguably a symptom of failures in the public education system and thus the government for not providing them with adequate funding and support, it is also the result of the vicious cycle of poverty and the sense of alienation and disempowerment that it entails. Like poverty, political attitudes are inherited. If you’re poor and worrying about where your next meal or rent is going to come from, it’s no wonder you haven’t taken the time to figure out what the various parties really stand for, let alone identify with a candidate who you will likely have little, if anything, in common with. Plus, all the wonderful distractions that modern societies offer their citizens do little to encourage something as tedious as an understanding of basic civics over something as gratuitously satisfying as the latest reality TV abortion.
Disillusionment is a less justifiable condition than living in a state of willful ignorance though it implies at least some consideration of a bigger picture; given the gravity of what is ultimately at stake, it is still a sin in its collective result. Many argue that no existing political party truly represents their interests, or that corruption is so inherent in power that it negates any perceived benefits associated with choosing one side over the other. What these people fail to take into account, is that by opting out they essentially give the controls to the same demographic groups that they resent in the first place, namely the previous generations who either screwed things up, or sat idly by and watched as things got worse. If you have a hard time grasping the urgency of the situation, take a moment to read up on the kind of heinous shit the conservatives have been trying so desperately to push through while you were asleep.
This isn’t to say that Canada is in terrible shape, far from it in fact when you consider the current state of the U.S.; (though that’s arguably like comparing a slightly passive aggressive aunt who leaves sticky notes on the fridge to a self destructive, paranoid schizophrenic in the middle of a grand mal seizure.) Part of what makes Canada’s system inherently better than the United States’ is its parliamentary form of government. Whereas down south voters follow a congressional system that essentially limits the options to two parties (unless you’re dumb enough to think of the Tea Party as differing significantly from the Republicans), as well as encouraging the disporportionately greater influence of private and corporate interests over those of the general public, Canada is home to three major parties as well as three smaller ones. You could argue that the latter parties play insignificant and limited roles as they are often excluded from televised debates, but at the end of the day the difference is hard to discount as insignificant. More importantly, Canada’s system allows for a wide variety of issues to be brought to the table, which again begs the question, why the fuck haven’t you identified with one?
The underlying significance of these statistics is still open for debate. However, it is clear that when it comes to answering the question of whose will the government of Canada actually represents, it is definitely not the voice of all for whom it should be speaking. Poor, stupid, apathetic and cynical is exactly what they want you kids to be, because it plays right into their interests to have you remain unorganized and passive little sheep; the question is, do you? Do you want a perpetual prison state where poverty is criminalized as tax cheats and high level fraudsters run free? Where the prime minister considers himself above the rule of law? Because that’s the end of the rainbow we’re currently on course for. Wake the fuck up Canada, you’re embarrassing me and you’re embarrassing yourself.
Stop being someone else's tool here:
Thursday, April 7, 2011
Monday, April 4, 2011
BASS 101
BASS 101 by STREEETS
This will be the first of many (I certainly hope anyway) posts I will be doing on everything from graffiti art to bass music (of all kinds). I would first like to acknowledge my friends at Music First, THANK YOU for helping pull the Winnipeg’s bass music scene out of the stone age. I won’t totally say single handedly but with the help of other crews (Bass Face Ent./Bass Invaders/Dark Vinyl/Dub City Steppers/Mixtechs.CA) 2010 and now 2011 so far, as been STELLER.
Now on to reason I’m here. I’m going to post a lot of mixes but seeing this is my first post i'm going to put up 3 that i've been listening to on repeat over the last little while, I have a freakishly unhealthy obsession with this music spun at 130-140 BPM. I hope you enjoy them as much as I do big ups to all the artists.
I’ll start things off with a mix of all original material from local DJ/Producer Theo Tzu (http://soundcloud.com/theotzu) who opened for Mark Instincts on March 5 2011. Enjoy bass fiends.
The Inaugural Dubplate Session: A Mix By Theo Tzu
1. meditation dub (theo tzu edit) – borgore
2. secret weapon - turtilian & theo tzu > wobbla - cain & theo tzu
4. resolve - safe crackers
5. baddest of fact feat. four20 - safe crackers
6. the thing - safe crackers
7. sit & rotate - safe crackers
8. nice funky beat - safe crackers
9. cheer up - safe crackers & metro rotonto
10. slammed (theo tzu remaster) - cain & dj brace
11. MNMLDUB (wip) - cain & theo tzu
12. tek city remix - cain
13. proverbs feat. top cat - natural selectors
14. for real - lucky souljahz
15. basin city - badfl0w & theo tzu
16. skylarking - lucky souljahz & metro rotonto
17. reploid vs existence (theo tzu smashup) - excision, datsik, downlink
18. dj distance - the dark crystal (rebel lion vip)
Download @ http://blog.mixtechs.ca/the-inaugural-dubplate-session-a-mix-by-theo-tzu/
This mix covers alot of the deeper side of Dubstep, this comes to us from Belgian duo, Subreachers (http://www.soundcloud.com/subreachers) Lots of big tunes coming from these guys in 2011 keep on the look out for them.
Subreachers: Ice Cast Dec 10
Kiev - Breach [Dub] 12th Planet - Smokescreen (Jack Sparrow Remix) [Dub]
Killa & Instinct - Indica (Subreachers Remix) [Dub]
Lurka - Conscious [Dub]
Goli & Ashburner - Fields of Vibrations (Subreachers Remix) [Dub]
Subreachers - Void [Dub] Coki – It [DMZ]
Subreachers - Left Hand Path [Dub] Ben Verse - Venom [Dub]
Requake - Origin Of Species [Dub] Core - Suicide [Dub]
Lurka - Return [Dub]
Orphan 101 - Propa [Dub]
JazzyJazzy - Atlantis [Dub]
J:Kenzo - Against The Grain [Dub]
Dubwoofa - Night Sun [Dub]
Cessman - Zion Dreamz [Dub]
JazzyJazzy - Cold Harbour Lane [Dub]
Valor - Frank Jaeger [Dub]
Subreachers - Let Go (J:Kenzo's Digikal Love Refix) [Dub]
JazzyJazzy - Gimme Ya Wallet [Dub]
Subreachers - Let Go (Au Valour's Forgive & Forget Remix) [Dub]
Mr Lager Ft Asher Dust - 4 Leaf Clover (Von D Remix) [Dub]
June Miller feat. Beer - Aged 23 [Dub]
Download @ http://soundcloud.com/subreachers/ice-cast-mix-dec-10
And for the last mix I’m going to post, is a preview of what we are in store for come MEME 2011(http://www.memetic.ca/http://www.facebook.com/MEMEfest) the first headliner they announced was the almighty Process Rebel(http://soundcloud.com/processrebel). Some real rootstep vibes coming from this guy with LOTS of free bits and some forthcoming material on Winnipeg’s own, Balanced Records(http://www.balanced-records.com).
Process Rebel Interview on Bassculture Foundation Radio
(1) Process Rebel - Skank Division [forthcoming on Balanced Records]
(2) Jam Jarr - Neck Low (Process Rebel Remix) [forthcoming on Subinfinity Recordings]
(3) Process Rebel - Step Specialist (How It Go Version feat Profisee) [Subinfinity Recordings/SUB003]
(4) Wayne Lotek - The Rudest Dude (Process Rebel Remix) [Download this track for Free @ http://soundcloud.com/processrebel/wayne-lotek-the-rudest-dude-process-rebel-remix]
(5) Process Rebel - Dem Outta Here [Subinfinity Recordings/SUB002]
Download @ http://soundcloud.com/processrebel/process-rebel-interview-on-bassculture-foundation-radio
- STREEETS
This will be the first of many (I certainly hope anyway) posts I will be doing on everything from graffiti art to bass music (of all kinds). I would first like to acknowledge my friends at Music First, THANK YOU for helping pull the Winnipeg’s bass music scene out of the stone age. I won’t totally say single handedly but with the help of other crews (Bass Face Ent./Bass Invaders/Dark Vinyl/Dub City Steppers/Mixtechs.CA) 2010 and now 2011 so far, as been STELLER.
Now on to reason I’m here. I’m going to post a lot of mixes but seeing this is my first post i'm going to put up 3 that i've been listening to on repeat over the last little while, I have a freakishly unhealthy obsession with this music spun at 130-140 BPM. I hope you enjoy them as much as I do big ups to all the artists.
I’ll start things off with a mix of all original material from local DJ/Producer Theo Tzu (http://soundcloud.com/theotzu) who opened for Mark Instincts on March 5 2011. Enjoy bass fiends.
The Inaugural Dubplate Session: A Mix By Theo Tzu
1. meditation dub (theo tzu edit) – borgore
2. secret weapon - turtilian & theo tzu > wobbla - cain & theo tzu
4. resolve - safe crackers
5. baddest of fact feat. four20 - safe crackers
6. the thing - safe crackers
7. sit & rotate - safe crackers
8. nice funky beat - safe crackers
9. cheer up - safe crackers & metro rotonto
10. slammed (theo tzu remaster) - cain & dj brace
11. MNMLDUB (wip) - cain & theo tzu
12. tek city remix - cain
13. proverbs feat. top cat - natural selectors
14. for real - lucky souljahz
15. basin city - badfl0w & theo tzu
16. skylarking - lucky souljahz & metro rotonto
17. reploid vs existence (theo tzu smashup) - excision, datsik, downlink
18. dj distance - the dark crystal (rebel lion vip)
Download @ http://blog.mixtechs.ca/the-inaugural-dubplate-session-a-mix-by-theo-tzu/
This mix covers alot of the deeper side of Dubstep, this comes to us from Belgian duo, Subreachers (http://www.soundcloud.com/subreachers) Lots of big tunes coming from these guys in 2011 keep on the look out for them.
Subreachers: Ice Cast Dec 10
Kiev - Breach [Dub] 12th Planet - Smokescreen (Jack Sparrow Remix) [Dub]
Killa & Instinct - Indica (Subreachers Remix) [Dub]
Lurka - Conscious [Dub]
Goli & Ashburner - Fields of Vibrations (Subreachers Remix) [Dub]
Subreachers - Void [Dub] Coki – It [DMZ]
Subreachers - Left Hand Path [Dub] Ben Verse - Venom [Dub]
Requake - Origin Of Species [Dub] Core - Suicide [Dub]
Lurka - Return [Dub]
Orphan 101 - Propa [Dub]
JazzyJazzy - Atlantis [Dub]
J:Kenzo - Against The Grain [Dub]
Dubwoofa - Night Sun [Dub]
Cessman - Zion Dreamz [Dub]
JazzyJazzy - Cold Harbour Lane [Dub]
Valor - Frank Jaeger [Dub]
Subreachers - Let Go (J:Kenzo's Digikal Love Refix) [Dub]
JazzyJazzy - Gimme Ya Wallet [Dub]
Subreachers - Let Go (Au Valour's Forgive & Forget Remix) [Dub]
Mr Lager Ft Asher Dust - 4 Leaf Clover (Von D Remix) [Dub]
June Miller feat. Beer - Aged 23 [Dub]
Download @ http://soundcloud.com/subreachers/ice-cast-mix-dec-10
And for the last mix I’m going to post, is a preview of what we are in store for come MEME 2011(http://www.memetic.ca/http://www.facebook.com/MEMEfest) the first headliner they announced was the almighty Process Rebel(http://soundcloud.com/processrebel). Some real rootstep vibes coming from this guy with LOTS of free bits and some forthcoming material on Winnipeg’s own, Balanced Records(http://www.balanced-records.com).
Process Rebel Interview on Bassculture Foundation Radio
(1) Process Rebel - Skank Division [forthcoming on Balanced Records]
(2) Jam Jarr - Neck Low (Process Rebel Remix) [forthcoming on Subinfinity Recordings]
(3) Process Rebel - Step Specialist (How It Go Version feat Profisee) [Subinfinity Recordings/SUB003]
(4) Wayne Lotek - The Rudest Dude (Process Rebel Remix) [Download this track for Free @ http://soundcloud.com/processrebel/wayne-lotek-the-rudest-dude-process-rebel-remix]
(5) Process Rebel - Dem Outta Here [Subinfinity Recordings/SUB002]
Download @ http://soundcloud.com/processrebel/process-rebel-interview-on-bassculture-foundation-radio
- STREEETS
THE WHATEVER GENERATION by Danny Sauve
THE WHATEVER GENERATION by Danny Sauve
I am so happy to be in the generation in which I currently live. Technology is getting more and more impressive every day, acceptance and freedom are at a cultural high in most places on earth, and more and more people are trying to do things that they enjoy and that make them happy.
Recently, I heard our generation referred to as "The Whatever Generation" and I thought this was an interesting way of trying to explain my age group. In order to understand this label, I guess you have to start with our grandparents living in the good ol' days of the ’30s and ’40s, although I'm sure if you asked your grandparents they'd say it wasn't very good at all. They had amazing pride and work ethic, and worked hard for everything they received. The Great Depression led to the need for those who did have jobs to work even harder for their average annual income of $1,300. The late ’40s also marked the genesis of using technological advances for the primary objective of making everyday life easier and more enjoyable via inventions such as the television and the refrigerator. The emergence of black culture brought with it the first dance in nearly two decades that allowed individual expression: "the Jitterbug".
This lifestyle continued through the Cold War and well into the ’50s. After serving their time in the war, men began starting families. Enter: the Baby Boomers. By the time our parents were around our age, people started separating from the conservative ’50s decade. The ’60s, deemed the “Age of Youth”, had 70 million post-war teenagers who wanted change. New revolutionary ways of thinking and real change in the cultural fabric of life began taking shape, the likes of which are still ongoing. Peace was a large focus. People like Martin Luther King and Malcolm X continued the fight for racial equality, while women like Betty Friedan fought for gender equality. Mainstream religion such as Christianity and Catholicism began its decline; people started accepting other religions such as Buddhism. Enter: The Hippie Movement. The use of mind-altering narcotics grew exponentially (much in part to the discovery of MDMA, LSD, and the emergence of ethnobiologists like Terence and Dennis McKenna), coinciding perfectly with the soaring status of rock music, sexual freedom, and crime. People became more aware of our impact on the earth, while technology also continued its climb to what we know it as today. A lot of the "radical" ideas of the ’60s gained wider acceptance during the ’70s.
Computers began getting popular, the Atari came out, floppy disks and laser printers were invented. The rock music of the ’60s broke off into many different sub genres (soft rock, folk rock, punk rock, etc.). Marley, Tosh, and King Tubby were introducing reggae and Dub to the world just as a new disco craze began to grow. These decades are pivotal to the society and way of life we live in today.
BOOM!
That brings us to now. I remember my dad when I was younger telling me how his only toys when he was my age were a stick and a piece of glass, as I begged him to buy me new Spider-Man toys. I always took this as a joke, and I'm sure it wasn't nearly that bad but it's still something to keep in mind. My parents’ home is now filled almost to the brim with new and old electronic devices they purchased for themselves, or for me. Things my grandparents would have called alien technology such as iPods, CDs, and GPS systems become outdated or broken and discarded somewhere in the dusty basement. Anyone who takes the time to think about it should easily be able to tell that quality of life in most ways is better now than it has ever been, as evolution should be. The concepts and ideals our parents and grandparents began regarding like equality, acceptance, and peace are stronger than ever.
The work ethic, however, seems to be slowly fading away with our growing ease of life. We haven't had to work as hard for receiving much more and eventually we might pay for it. Increasing numbers of people are starting to believe that their future is not in their control, giving us our somewhat "whatever" work ethic and lifestyle. We meet someone who dresses unconventionally. Whatever, they can wear whatever they want. Someone tells you they want to own an emerging maple syrup conglomerate. Whatever, they can be whatever they want. Someone tells you they're gay. Yeah, man that's fine too, do whatever you want. A friend asks what should we do tonight. You say whatever, because the possibilities are almost endless. We truly do live in a generation filled with whatevers. Just the feeling of the word and the way it describes the openness, acceptance, and even in some ways the work ethic of a large part of our population makes it an excellent word--if we must have a word--to describe life today. Of course I'd rather our generation be described as something cooler or more interesting like the “Super Awesome Laser Explosion Generation”. But if we are, in fact, the whatever generation, I'll have no problem proudly explaining to my children.
DANNY SAUVE
I am so happy to be in the generation in which I currently live. Technology is getting more and more impressive every day, acceptance and freedom are at a cultural high in most places on earth, and more and more people are trying to do things that they enjoy and that make them happy.
Recently, I heard our generation referred to as "The Whatever Generation" and I thought this was an interesting way of trying to explain my age group. In order to understand this label, I guess you have to start with our grandparents living in the good ol' days of the ’30s and ’40s, although I'm sure if you asked your grandparents they'd say it wasn't very good at all. They had amazing pride and work ethic, and worked hard for everything they received. The Great Depression led to the need for those who did have jobs to work even harder for their average annual income of $1,300. The late ’40s also marked the genesis of using technological advances for the primary objective of making everyday life easier and more enjoyable via inventions such as the television and the refrigerator. The emergence of black culture brought with it the first dance in nearly two decades that allowed individual expression: "the Jitterbug".
This lifestyle continued through the Cold War and well into the ’50s. After serving their time in the war, men began starting families. Enter: the Baby Boomers. By the time our parents were around our age, people started separating from the conservative ’50s decade. The ’60s, deemed the “Age of Youth”, had 70 million post-war teenagers who wanted change. New revolutionary ways of thinking and real change in the cultural fabric of life began taking shape, the likes of which are still ongoing. Peace was a large focus. People like Martin Luther King and Malcolm X continued the fight for racial equality, while women like Betty Friedan fought for gender equality. Mainstream religion such as Christianity and Catholicism began its decline; people started accepting other religions such as Buddhism. Enter: The Hippie Movement. The use of mind-altering narcotics grew exponentially (much in part to the discovery of MDMA, LSD, and the emergence of ethnobiologists like Terence and Dennis McKenna), coinciding perfectly with the soaring status of rock music, sexual freedom, and crime. People became more aware of our impact on the earth, while technology also continued its climb to what we know it as today. A lot of the "radical" ideas of the ’60s gained wider acceptance during the ’70s.
Computers began getting popular, the Atari came out, floppy disks and laser printers were invented. The rock music of the ’60s broke off into many different sub genres (soft rock, folk rock, punk rock, etc.). Marley, Tosh, and King Tubby were introducing reggae and Dub to the world just as a new disco craze began to grow. These decades are pivotal to the society and way of life we live in today.
BOOM!
That brings us to now. I remember my dad when I was younger telling me how his only toys when he was my age were a stick and a piece of glass, as I begged him to buy me new Spider-Man toys. I always took this as a joke, and I'm sure it wasn't nearly that bad but it's still something to keep in mind. My parents’ home is now filled almost to the brim with new and old electronic devices they purchased for themselves, or for me. Things my grandparents would have called alien technology such as iPods, CDs, and GPS systems become outdated or broken and discarded somewhere in the dusty basement. Anyone who takes the time to think about it should easily be able to tell that quality of life in most ways is better now than it has ever been, as evolution should be. The concepts and ideals our parents and grandparents began regarding like equality, acceptance, and peace are stronger than ever.
The work ethic, however, seems to be slowly fading away with our growing ease of life. We haven't had to work as hard for receiving much more and eventually we might pay for it. Increasing numbers of people are starting to believe that their future is not in their control, giving us our somewhat "whatever" work ethic and lifestyle. We meet someone who dresses unconventionally. Whatever, they can wear whatever they want. Someone tells you they want to own an emerging maple syrup conglomerate. Whatever, they can be whatever they want. Someone tells you they're gay. Yeah, man that's fine too, do whatever you want. A friend asks what should we do tonight. You say whatever, because the possibilities are almost endless. We truly do live in a generation filled with whatevers. Just the feeling of the word and the way it describes the openness, acceptance, and even in some ways the work ethic of a large part of our population makes it an excellent word--if we must have a word--to describe life today. Of course I'd rather our generation be described as something cooler or more interesting like the “Super Awesome Laser Explosion Generation”. But if we are, in fact, the whatever generation, I'll have no problem proudly explaining to my children.
DANNY SAUVE
DUB ECHOES MOVIE REVIEW
Dub echoes (By Bruno Natal)
4/5
reviewed by Sarah Curry
“DnB King Tubby’s innovation. He experimented with versions: bringing In certain reverbs, started to add echo…
And this became exciting and, thus, dub was born.”
From time to time, there are moments of significant importance that deserve to be documented, spread across the brainscape, and honoured for generations. In Dub Echoes, Bruno Natal (writer/director) does a wonderful job of documenting the story of dub: How it was found amidst the competitive sound systems and scratched labels era of reggae and dance hall, how it brought about a newfound artistry in the mixing board engineer, and how it paved the way for the electronic genre, specifically the DJ.
Without question, dub has been the most prevalent influence in popular music since its humble beginnings in the 1940s. Sneaking onto B-sides and hypnotizing the entire island of Jamaica, dub restored power to the people and acted as the catalyst to the musical liberation of the ’50-’60s.
Riding the increasingly powerful momentum of customized sound systems and massive block parties, dub emerged into the mainstream with “beats so sick, made with real bits o’ panther” to quote El-P, rapper and cardboard artist. With mainstream interest came the evolution of the DJ and the relocation of dub to the UK.
“Bass is brain for listen. Drum for heartbeat. Bass and drum is early human being from the start it make you wanna dance.”
– “Scratch” Lee Perry
Dub Echoes is a necessary watch and re-watch for anyone who considers themselves a music enthusiast. Expertly produced and lovingly edited with ambient dub over the entire documentary, Dub Echoes provides all the knowledge our drum hearts and our bass minds crave.
Interviews with the legends, leaders, and followers of the dub movement, including: Lee “Scratch” Perry, Scientist, Bunny Lee, Kode 9, Adam Freeland, Switch, Basement Jax, Black Alien, and many, many mo
re…
“Once the music hits you, you feel no pain.”
-Bob Marley
Kode 9 recorded a BBC One Essentials Mix 2011-03-12 that demonstrates progressive, dubbby dubstep, and we have a link to its download page on the blog.
SARAH CURRY
4/5
reviewed by Sarah Curry
“DnB King Tubby’s innovation. He experimented with versions: bringing In certain reverbs, started to add echo…
And this became exciting and, thus, dub was born.”
From time to time, there are moments of significant importance that deserve to be documented, spread across the brainscape, and honoured for generations. In Dub Echoes, Bruno Natal (writer/director) does a wonderful job of documenting the story of dub: How it was found amidst the competitive sound systems and scratched labels era of reggae and dance hall, how it brought about a newfound artistry in the mixing board engineer, and how it paved the way for the electronic genre, specifically the DJ.
Without question, dub has been the most prevalent influence in popular music since its humble beginnings in the 1940s. Sneaking onto B-sides and hypnotizing the entire island of Jamaica, dub restored power to the people and acted as the catalyst to the musical liberation of the ’50-’60s.
Riding the increasingly powerful momentum of customized sound systems and massive block parties, dub emerged into the mainstream with “beats so sick, made with real bits o’ panther” to quote El-P, rapper and cardboard artist. With mainstream interest came the evolution of the DJ and the relocation of dub to the UK.
“Bass is brain for listen. Drum for heartbeat. Bass and drum is early human being from the start it make you wanna dance.”
– “Scratch” Lee Perry
Dub Echoes is a necessary watch and re-watch for anyone who considers themselves a music enthusiast. Expertly produced and lovingly edited with ambient dub over the entire documentary, Dub Echoes provides all the knowledge our drum hearts and our bass minds crave.
Interviews with the legends, leaders, and followers of the dub movement, including: Lee “Scratch” Perry, Scientist, Bunny Lee, Kode 9, Adam Freeland, Switch, Basement Jax, Black Alien, and many, many mo
re…
“Once the music hits you, you feel no pain.”
-Bob Marley
Kode 9 recorded a BBC One Essentials Mix 2011-03-12 that demonstrates progressive, dubbby dubstep, and we have a link to its download page on the blog.
SARAH CURRY
Friday, April 1, 2011
Wikibeats!
So apparently Julian Assange likes to get down to house muzak:
and I respect the guy more for it.
Carry on!
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